JAY SIZEMORE

poet and author

A poem about the end of the world

I wanted to protect you

I wanted to protect you from death
and so I lied
about the boy in the casket
who was anything but sleeping.
I wanted to protect you from violence
and so I bought a gun
to keep beneath my mattress.

To protect you from heartache
I said your Yorkie ran away
after I washed the dirt
from his grave down the drain.
To protect you from adulthood
I hid your gifts in the attic
until Christmas morning,
and took a million photos
of your joyful face
to keep you the same age.

I wanted to protect you from the elements,
the heat, the cold, the rain,
and so, come summer, our AC would run nonstop,
while the winter would fill our lungs with woodsmoke
and my hands with the callused work of cutting.

I wanted to protect you from apathy,
so I nurtured your every whim,
speaking with invisible friends,
naming the grasshoppers you caught in the lawn,
hanging your crude drawings of houses
under magnets on the fridge.

I wanted to protect you from disease,
and so you’re now afraid of needles,
despite my promises of ice cream.
I wanted to protect you from fear
so I said, “Of course, monsters aren’t real.”

I wanted you to be safe,
to know love like a blanket
fresh from the wash,
to know each living thing
as a tooth on a cog, amid the wheels
and gears of a grand machine we’ll never see.

But I was wrong
to try and protect you from this world,
to think you’d never know the itch
and swell of its sting,
something as simple as flesh
serving the purpose of food
for the microcosm beneath.

Elegy for Gene Wilder on the day of his death

For Gene

Say goodbye to childhood,
Goodbye imagination.
Say goodbye to whimsy
Goodbye, gold ticket sun.

Purple velvet, curly cue grin
mania embodied wide blue eyes
shining like wet silk,
Jack without his candle stick.

Technicolor or black and white,
scenes spilled over with vibrant life,
a dance, a soliloquy, a turn of the cheek,
laughter rushing forward like flooded creek.

Want to change the world?
It’s as easy as lighting a fuse
or a lantern in an unlit room,
as easy as closing your eyes
to the hammers of doom.

For Gilda, for the faces awash in light,
for the ether that swims betwixt our lives,
for the river of silver streaked bone dust chimes
filling our veins with ticking time.

For the children, for the never born,
for the geezers struggling to hold their form,
for the quiet, for the obscene, the uncertain
and the lost, for the dreamers dreaming again.

Say goodbye to childhood,
Goodbye imagination.
Say goodbye to whimsy,
Goodbye gold ticket sun.

gene

A poem about grief

The last elegy

What can my words do?
Not bring men back to life.
Not make rose petals
fly from the mouths of barrels.
Not erase the myriad ripples
of time’s relentless consequence.

Love and beauty still exist
though it gets harder to see
through the haze of fear.
I’m privileged to suggest
that the world moves
regardless of man,
that self-preservation is trivial
in a cosmos of unknowns.

When you feel helpless
look to the stars
and remember how dark
the night is with eyes closed.
When you feel helpless
put your cheek to the ground
and breathe deep the absence
of murder and malice,
the earthly scents of soil and stone.

We all die alone.
What are we doing in the in between?
I want to believe
that people are good,
that these deaths matter
to everything that comes after.
I want to believe
that blood spilled in the streets
comes at a cost
never truly paid.

These lines drawn between us
disappear when viewed from space,
just as we disappear,
and only the lights in our makings
can be seen like distant suns
and the hope that light
is what we all eventually become.

Poem for Muhammad Ali

The Greatest

Poetic pugilist,
writing poems
on opponents’ faces
of paper and papyrus,
with fists, clenched and padded
and wrapped in leather
like notebooks packing punches.

Float like a butterfly,
sting like a bee,
hands can’t hit
what the eyes can’t see.

War is something more
than a photo opportunity
for Elvis Presley
in his G. I. Blues.
Something about killing
strangers that never uttered
a racial slur, never hated
or enslaved men
with different color skin,
wasn’t worth keeping
that championship belt,
was worth being called coward,
worth taking a stand.

Float like a butterfly,
sting like a bee,
hands can’t hit
what the eyes can’t see.

And Parkinson’s became that
invisible enemy
a brain disease to battle
futilely and eternally
as emotions lose their nuance
to a blank face,
dressed in the flesh
of the greatest boxer
who ever lived,
the dog that made thunder afraid,
thief of Superman’s cape,
only man to ever make Godzilla cry
one hand tied behind his back.

A new Star Wars poem, written after seeing TFA:

The Nostalgia Awakens

Not a moon, a projection screen,
a bellows pumping light
back to darkened eyes,

a breathing apparatus for those
grown so tired of life
they’ve forgotten how to live.

My heart becomes a tiny fist
with a lightning bug trapped,
tickling the pink palm inside,

leaving its insect smell—
that pungent, licorice-like odor
as it squirms free and flies.

For a while I believe it,
that coincidence can propel adventure
and love can be defined,

that actions are anchors of intention
holding us, binding us together.
I want to believe it still,

but the cold luminance of artifice
waits like lingering frost on the pines,
hints of the winter to come,

memories of childhood
carried like precious fire,
one that must be lit again and again

to rekindle my mind
before the wick is burned gone
and I’ve forgotten why

my throat tastes of smoke
in this black tunnel of stone,
a darkness convincing my eyes they’re blind.

Poem for Paris

Not afraid

Kiss every bullet,
and put it in the ground.
The red roses bloom
from such quiet bodies.

Their mouths full
of moth wings,
stifled cries for freedom.
Humphrey Bogart, stick your neck out.

A player piano in a cathedral,
forgets the words
to “We Didn’t Start the Fire,”
while the beautiful friendship

of ivory and steel
fluctuates like a bridge
between here
and the scent of apricots

dabbed on Ingred Bergman’s throat
just before she sings
“La Marseillaise” and mistakes
her own heartbeat for cannon fire.

A poem inspired by Yi-Fen Chou :

Call me Yi-Fen Chewbacca (Chewie for short)

This will be a poem in translation:
growl growl grumble howl
a collection of raw, wet throat sounds
that others might recognize as music,
and some might know as a soliloquy
saying, My name must be remembered.

I carry a crossbow firing red lasers,
you’ll find my brown lips curled
into a snarl of contempt. I’ve been called
a walking carpet, a thing, a companion
for scoundrels. I made my way
from the jungle planet Kashyyyk
to this star-smeared cockpit,
keeping my wits away from my temper.
Sure, a few arms were pulled from their sockets,
but you do what’s necessary to win.

You might be tempted to bite your own hands,
you might want to yodel through a Tarzan swing.
You might think skin a luxury instead of fur,
except when hunting probe droids
across the harsh iced surface of Hoth.
But you haven’t lived inside this animal,
this forest-scented flesh, cloaked in rage like musk.
You haven’t chased down bounty hunters
with nothing to gain except a criminal’s trust.
You haven’t watched entire planets explode.

So, let me grumble, growl, snort mumble howl,
let me punch up coordinates
for speeds you’ll never reach,
the stars are still bleeding
in those constellations of mortal shapes,
just more targets
for the arrows of your dreams.
I’m hoping maybe some day you’ll learn,
a name isn’t given, it’s not something you take,
a name is something you earn.

This is not an offensive poem

This is not an offensive poem

l o v ee v o l
s t o p ss p o t s
l o v ee v o l
h u r tt r u h
l o v ee v o l

d r a ww a r d
s p i tt i p s
l o v ee v o l
w e t ss t e w
g u m ssm u g

s t u c kk c u t s
f i t ss t i f
l o v ee v o l
b u tt u b
s t r a ww a r t s

g u n ss n u g
g n a ww a n g
l o v ee v o l
r a g ee g a r
s k i nn i k s

l o v ee v o l
s t o p ss p o t s
l o v ee v o l
h u r tt r u h
l o v ee v o l

This is not an offensive poem pt. 2

( a lifetime of breath )

Asleep on the shore

No life lived to flash before his eyes,
every experience still new to his senses.

No fear of the dark held beneath the sea,
just a boy, a buoy caught in the wake

of much larger vessels,
every destination still new and unknown.

The red shirt picked out by his father,
worn like the promise of freedom,

wet, it turned the color of blood,
tiny hands curled to cradle an empty sky.

The hard-packed sand a shimmering bed
of waves that whisper and then recede,

a beach absent of his footprints.

~JS

Help me support Tupelo Press!

This month I am participating in Tupelo Press’ 30/30 challenge. I, along with eight other poets, am committing to writing a poem a day for thirty days, in an effort to promote poetry and raise money for a respected press. This is a tough challenge for any writer, to write something worth sharing every day. I hope that you will follow along, and give me your support.

For the month, my concept is to take classic poems and rework them in my own voice. This is a daunting goal by itself. One never knows how people will react to taking classic literature and meddling with sacred texts. I hope people can appreciate my concept.

As an incentive, any person who donates $10 or more and mentions my name, I will send a specially made chapbook of poems to thank them for their support. Spread the word. Tupelo Press is an awesome pillar of the poetry community, and we should help them continue their good work of promoting good work and supporting poets who deserve recognition.

But the dead do not remember and nothingness is not a curse.

Cormac mccarthy, suttree