A Dumpster Fire Speaks

Trash fire
for VIDA

“You can have it all,
my empire of dirt.
I will let you down,
I will make you hurt.” ~ Trent Reznor

I used to be fierce, but now I am afraid.
I’m afraid I’ve lost my ability
to tell the truth, to know
what it is I stand for.

Everything I sought I saw stripped away
when it was just out of my grasp,
like some award I felt entitled to
or the keys to a new car
car of my dreams
with its paint so shiny
and reflective
it almost seemed liquid,
or the girl at the basketball game
with the supermodel body
and the pornstar fuck-me eyes
who dared me to approach her
with her lips wet and slow
sucking a Blow-Pop and staring me down
like she wished it was my cock,
who when I finally worked up the nerve
to walk over and say hello,
just curled like a leaf
into the shoulder of her guy friend
laughing, her and her friends laughing
at how stupid I was
for thinking someone like her
would ever be interested in someone like me,

and I felt myself slip
just a bit closer to the edge
of a cliff I’d stared off of many nights alone,
down into a darkness that seemed to have no bottom,
I felt another filament of light spark out
inside myself and this time I wasn’t sure
if I’d find another bulb to replace it,
but of course I did,
and somehow I added another layer
to my person suit, zipped it up
over my previous self like a fresh baby skin,
and I managed to move on,
to find small measures of happiness
over the years, people who loved me
and then stopped loving me
only to be replaced by someone else,
and that’s how it goes
if you don’t manage to fuck everything up
beyond your scope
of seeing a way to rebuild it.

This poem isn’t even my own voice.
I should know better than to write
after reading someone else’s books,
but sometimes that’s when I’m most inspired,
I see the genius of others
and my mind starts trying to duplicate it,
to find in myself
what I found so captivating
while living in another writer’s mind.

And by now, you’re thinking I’ve lost the thread.
Wasn’t this supposed to be a poem about Truth,
you’re probably thinking to yourself.
Truth, that comically noble notion—
hold your horses, lady or gent, I’m coming back to it.
You see, when I first started writing,
I had a rabid desire to protect
the sacrosanct freedom
that I saw coming under attack:
nobody poets telling other nobody poets
what they should or should not be writing,
what was offensive and infringing on the safe spaces
of literature, what was appropriating other cultures
through the oppression of colonialist patriarchy,
what was objectifying women
treating them as totems or victims
of a fetishized male gaze,
misogyny, sexism, violence, homophobia,
transphobia, racism, ablism, Islamophobia,
agism, all these things signaled a problematic author,
someone entrenched in an outdated worldview,
someone who was probably a trash fire
and didn’t deserve to be read or even to be alive,
even if they didn’t believe what they wrote,
even if they just considered these elements
to be part of a complex reality
that needed to be seen in order to be critiqued,
they were to be shamed and shunned,
driven from literature like lepers
forced to live in caves
on the outskirts of civilization.

Fuck Bukowski. Fuck Hemingway.
Fuck Browning, fuck Carver, fuck Lowell,
fuck Ginsberg, fuck Stafford, fuck Collins.
Fuck David Foster Wallace and Brian Easton Ellis.
Fuck Chuck Palahniuk and John Updike.
Fuck Junot Diaz, Sherman Alexie, Joseph Massey.
Fuck Kenneth Goldsmith and fuck you if you like him.
Fuck William Shakespeare.
Fuck Whitman, Thoreau, and Emerson.
Men are cancelled.
Fuck the Canon. Fuck the Patriarchy.
BURN IT ALL DOWN.

I started writing poems specifically aimed
at pissing these people off.
They demand Trigger Warnings?
I’ll write the most triggering poem I can imagine,
and I’ll mock trigger warnings in the process.
Fuck your trigger warnings.
They say you can’t write about rape?
Challenge accepted.
Fuck your coddled victimhood mentality.
Don’t use racial slurs in poems.
Watch me.
Fuck your book-banning stereotypes.
Don’t mock the Prophet Muhammad.
We’ll see about that.
Fuck your precious religion.
Accuse me of appropriating someone’s abuse?
I’ll put my accusers names as titles
of the most offensive poems of all time.
Fuck you.

And this is how I lost the truth,
by fighting a battle that wasn’t mine,
in which I ended up defending myself
more than I defended the cause,
by becoming the villain
of a story that has too many villains,
attacking my attackers,
becoming a scapegoat
for what’s wrong
with white male writers,
someone no one would defend
for risk of their own credibility,
someone even a good friend
couldn’t or wouldn’t stand beside
any more
without putting their own neck
in the path of the guillotine.

Welcome to the world of internet poetry,
where years of work
building a name
can vanish over the course of three days,
where it has become commonplace
for gangs to demand
publications to remove the poems
that dared to cross imaginary lines,
and then for that poet’s work
to be scrubbed from the archives
as if they never existed
or ever wrote poems at all.

I often wonder how many of these poets
whose books I have purchased over the years,
and who I reached out to in email
or through social media chats
to express what their work meant to me,
ever bothered to buy one of my books,
or to even read the books I mailed to them
just to show my appreciation,
how many of my books
have never even been cracked open,
were just moved from padded envelopes
directly to dusty bookshelves
to begin collecting their own sheens
of shed skin, the sloughed off cells
of the poets coating the covers
of the work of a friend or a peer
they never respected enough to begin with
to give their work even the fleeting chance
of a few precious minutes
of their own attention.

In the end, it doesn’t matter,
everyone thinks they’re burning down the world,
but they’re just dancing
in their own fires,
and once the flames have all burnt out
there’ll be no one left
who cares enough
to sweep up the ashes.

Trump’s Democracy : NaPoWriMo #14

Kakistocracy : The New Constitution part 2

Let he without morality rule them,
let he devoid of decency close his fists
about the throat of the world
and throttle, his spittle-flecked lips
frothing white, his face flushed bright
with the tantrums of every subverted wish.

Let he without conscience be king,
his sagging skin but an ill-fitted coat
cloaking the hideousness of his greed,
the unscrupulous and the craven
leprosy of want, a blood-filled sack
covered in pus and wet dollar bills.

Let he without humanity declare himself
dictator of the masses, the masses clamoring
for a new Jesus to usher their souls
into the fire pits of penance and self-deprecation,
tomahawk missiles sounding like horns
blown from the mouths of archangels.

Let he without intelligence lead them,
bumbling and stumbling, foolhardy and blind
into the next Dark Age, a cavernous catacombs
of blank-screened smart phones
and television monitors caked in dust,
a continent sealed in walls of bones.

Let he without grace state his amoral decree,
The truth is but a noose swinging
and wound from fake-fibered news
in these gallows of country turned cataclysm,
and the people will willingly slide
their heads through the holes!

Let he without gravitas guide them
as he strokes his member for all to see,
ejaculates vile filth onto every belief
while they bathe in it, rub it like salve
over their faces and eyes and gaze upward
awe-struck, slack-jawed, begging for the trickle-down.

NaPoWriMo Poem #11

On hanging a bird feeder

If I am a stranger to myself
maybe I’ve always been,
wondering at the man I’ve become,
buying a better drill to drive
these screws into the deck post
when twelve volts couldn’t do the job,
securing this wrought iron hook
to hang this lantern-like object
with its windows only reflecting light
I can no longer discover inside.

And then the disappointment begins
when nothing seems to happen,
days of waiting like a child
for a Christmas morning with no snow
and a living room floor absent
of the gift Santa promised to bring,
sitting in a cloth-backed chair
sipping beers at sunset,
the wind gently flapping
the sun-filtered shade of an awning
while blue-gray clouds ease their way
eastward beyond the trees that lean
into a sky past the fence line.

This is pointless, I think, listening
to that ambient susurrus
of neighborhood noise like ocean currents,
what winged thing would ever want
to visit me in my apathy?
And, of course, nothing answers,
as it always does the thoughts
of an aging mind.

But, life still holds an element of surprise,
life still happens without announcement
of itself, when without applause
a red-breasted finch alights
along that lantern’s metal-railed base,
cocks its head to and fro
as if in ambivalent acknowledgment,
picks up a seed in its black and white beak
and flutters out of sight,
back into the canopy of camouflage trees,
and there’s this moment
this inexplicable pause in the minutiae
of heartbeats flooding my veins,
where happiness finds its wings.

Another gun poem : NaPoWriMo #10

A penis is a warm gun

The measure of manhood
can’t have a snubbed nose,

this open carry seems indecent
in the presence of children,

yet, here we are, waving
our dicks around like trophies,

impregnating the air
of coffee shops and grocery stores

with that curdled milk odor of death.
Shooting off at the mouth,

shooting off from the hip,
stroking these polished barrels

and stocks in orgies of masturbatory
fear mongering for what?

A good guy with a cock
keeps his happiness at home

and shines up his chrome
to internet porn when he’s alone

like an ordinary homophobe.
Maybe it’s less manly

to keep your junk in your drawers,
to keep your chamber cleared,

to keep a pistol only capable
of shooting six girls before needing reload,

but at a certain age it becomes obscene
to think of anything but a future

where the young can decide for themselves
which wounds they’d prefer to die from.

The Weapon of Ownership : NaPoWriMo #9

A person is a weapon

A gun is just a tool,
something for the red cloud of violence
to seep through, an arterial spray
that spatters the canvas
of homes and city streets
with chaotic disregard
for where its color will land.

Remove the tool,
and this violent fog
will still leak from our pores
like blood-tinged sweat,
finding a new outlet,
be it fist, or tooth, or stone.

What is a law, but a rule
meant to be broken?
There will always be forces
that work against
this cohesive reality,
atoms vibrating themselves into fevers,
shredding the silk curtains
from the windows,
pulling the skin from the bone.

The human animal is not to be trusted,
one thin sliver of glass
separating consciousness
from instinct, separating words
from gut-throated howls
and knuckles dragged
through dust and dirt,
these tight circles
of territory, not to be infringed.

Convince a man that he owns the world
and other men cease to have faces,
become thieves wearing shadows
coming to club the light from the skull,
coming to plant a different colored flag
on this hill of nameless graves.

This is the primal law
written somewhere beneath the jaw,
remove every weapon from the Earth,
melt the steel, burn the wood,
pluck every fingernail, pull every canine
from every snarling mouth,
and we would still find a way
to choke the life from the other,
to lay claim to this body,
to prevent sharing sips
from a single glass of water.

Poem for Jonathan Pitre : NaPoWriMo #6

Butterfly Boy

~for Jonathan Pitre

If a boy can be a butterfly
let the wind lift him up,
the entombment of the spirit
is but temporary
in this most fragile of flesh,
it deserves to float free,
free from the weight of this body,
free like the feathers loosed
from the tail feathers of the hawk
circling the tall cliffs
and the chasms in between,

free like the stardust
illuminating the spiral arm
of the Milky Way
that cuts through the night sky,
free in the way light is free,
spilling over the crests of waves,
over the tops of the mountains and the trees,
through the windows and into warm pools
touching our animal skins.

No one deserves this pain,
to break open like an over ripe plum
at even the touch of a mother’s hand,
to blister from even a kiss,
to be rubbed raw in the gentlest of winds.
No one deserves to be deprived
of joy, deprived of that tickling nuzzle,
the wet nose of a dog against the neck,
the spontaneous laughter
of something so cold on your cheek.

The life of a butterfly is so brief,
but its beauty cannot be contained
in these these moments, these seconds
of fleeting fluttering of wings,
these delicate filtrations of sun
like Sunday’s of stained glass
settling between the petals of our fingers
but for the shortest of breaths,
before returning to the ether
from which all being is born.

NaPoWriMo Poem 5, Gun pastoral

Second Amendment Pastoral

If guns grew on trees much green would be gone
from the world, replaced with gunmetal gray,
perhaps a pink camo dogwood here or there,
the rest turned reflective and dark,
like American hearts.

The hills would become congregations
of slouching, heavy boughs
cloaked in deathly funeral-like robes,
a procession of morose ghouls
producing their yearly harvests
of yet more life-taking tools.

How long before the weapons
outnumber the souls, outnumber
the blades of grass in the yards,
outnumber the stars?
And yet, the hands reach up
for such deadly fruit,
just to feel something colder
than the memory of a mother
with black opioid eyes.

Is this the utopia we deserve,
land of breath by Russian roulette,
land of nitroglycerin smoke,
black residue left on the fingers
of the firing trigger fist,
land of forests where the wind
through the limbs
sounds like a chorus
of haunted pitch pipe barrels
whistling in the key of apathy.

If guns grew on trees, we’d tell the children
not to climb them, to build their play houses
in the graveyards instead,
just to shorten the distance
between growing up and playing dead.

NaPoWriMo Poem 4: Small Town Hope

Death in a small town

Past the river, past the bridge
past the flaking green paint
pockmarked with rust,
past the sign that says
JESUS DIED FOR YOUR SINS,
JESUS IS COMING AGAIN,
past the graffitied overpass
spray painted with names
and illegible gangbanger tags,
past smokestacks billowing
pillars of dissipating gray vapor dust,
past the homeless hitchhiker,
his shouldered bag of all that he owns,
his dirt-streaked thumb a prayer
to a weather vane, to a long-necked bottle,
to a cushion between his body
and the concrete beneath his body,
past the used car lot selling years
scrawled in white chalk
across windshields
like promises of life-expectancy
to a world occupied by ghosts,
past the lines of railway cars
loaded with wood pulp and tar,
past the flowering trees of white and pink,
past the skeleton hands of petrified bark,
past the dog park empty of dogs
and the flickering light
of the fast food marquees,
past the boarded windows
of the last remaining video store,
past the woman alone in the street
with a rainbow umbrella
and a stainless steel cane,
past the potholed side roads
and the dim alleyways caked with grit,
past the parking lots crowded
with loose paper and decrepit RV’s
and black birds hopping fearless
between sets of shuffling feet,
see, they’re still lamps buzzing to life
in the bluing calm of dusk,
still light amongst the shadows
not swallowed up, still estranged companions
finding comfort
in the simplicity of a hug.

Half a life NaPoWriMo #2

On turning 40

Half my life spent in a retail box,
the other half searching for a way out.

Half my life spent praying to nothing,
the other half disbelieving myself.

I carry this collection of failures
like a Fibonacci snail shell,

a haunted home for past voices
most of them my own,

a drowning whisper of ocean
in this isolation chamber mind.

So much time spent rebuilding
that which doesn’t exist,

this idea of the human heart
like a fragile tinderbox

where the secrets are kept.
What am I but I leaking vessel?

What is this but an education
without end? It’s never in sight

though I convince myself otherwise,
feel the pendulum shift

as I step over the fulcrum
of this metaphysical seesaw.

I’m moving easier now,
picking up speed,

with this weight on my shoulders
carrying me faster forward.

Ode to a shoplifter

Ode to a shoplifter

You give yourself away,
swivel-necked and mercurial,
a body that vibrates
like an animated scribble
just outside the coloring lines.

Even when at practiced ease,
there is a sense of paranoia,
a stench of marijuana smoke
clinging to a camouflage coat,
or something wilder underneath.

You’re trying too hard
to relax, to be just another wallet
folded and stored away
in the pocket of a passerby
looking for the easiest possible path.

The aura of desperation
glows like iridium on your skin,
it’s a sheen of unclean dew,
an irritant caught in your shoe
that will never be found.

Still, you’re a dancer with shadows,
moving between the aisles
like a marked card
in the deck of a magician,
pulled from the bottom again and again.

It’s a kind of music
that wants to be touched,
this cat and mouse game with luck,
it’s worth it for the adrenaline rush,
emerging through those automated doors

unwatched and for just a moment
uncaught.