fbpx

A Dumpster Fire Speaks

Trash fire
for VIDA

“You can have it all,
my empire of dirt.
I will let you down,
I will make you hurt.” ~ Trent Reznor

I used to be fierce, but now I am afraid.
I’m afraid I’ve lost my ability
to tell the truth, to know
what it is I stand for.

Everything I sought I saw stripped away
when it was just out of my grasp,
like some award I felt entitled to
or the keys to a new car
car of my dreams
with its paint so shiny
and reflective
it almost seemed liquid,
or the girl at the basketball game
with the supermodel body
and the pornstar fuck-me eyes
who dared me to approach her
with her lips wet and slow
sucking a Blow-Pop and staring me down
like she wished it was my cock,
who when I finally worked up the nerve
to walk over and say hello,
just curled like a leaf
into the shoulder of her guy friend
laughing, her and her friends laughing
at how stupid I was
for thinking someone like her
would ever be interested in someone like me,

and I felt myself slip
just a bit closer to the edge
of a cliff I’d stared off of many nights alone,
down into a darkness that seemed to have no bottom,
I felt another filament of light spark out
inside myself and this time I wasn’t sure
if I’d find another bulb to replace it,
but of course I did,
and somehow I added another layer
to my person suit, zipped it up
over my previous self like a fresh baby skin,
and I managed to move on,
to find small measures of happiness
over the years, people who loved me
and then stopped loving me
only to be replaced by someone else,
and that’s how it goes
if you don’t manage to fuck everything up
beyond your scope
of seeing a way to rebuild it.

This poem isn’t even my own voice.
I should know better than to write
after reading someone else’s books,
but sometimes that’s when I’m most inspired,
I see the genius of others
and my mind starts trying to duplicate it,
to find in myself
what I found so captivating
while living in another writer’s mind.

And by now, you’re thinking I’ve lost the thread.
Wasn’t this supposed to be a poem about Truth,
you’re probably thinking to yourself.
Truth, that comically noble notion—
hold your horses, lady or gent, I’m coming back to it.
You see, when I first started writing,
I had a rabid desire to protect
the sacrosanct freedom
that I saw coming under attack:
nobody poets telling other nobody poets
what they should or should not be writing,
what was offensive and infringing on the safe spaces
of literature, what was appropriating other cultures
through the oppression of colonialist patriarchy,
what was objectifying women
treating them as totems or victims
of a fetishized male gaze,
misogyny, sexism, violence, homophobia,
transphobia, racism, ablism, Islamophobia,
agism, all these things signaled a problematic author,
someone entrenched in an outdated worldview,
someone who was probably a trash fire
and didn’t deserve to be read or even to be alive,
even if they didn’t believe what they wrote,
even if they just considered these elements
to be part of a complex reality
that needed to be seen in order to be critiqued,
they were to be shamed and shunned,
driven from literature like lepers
forced to live in caves
on the outskirts of civilization.

Fuck Bukowski. Fuck Hemingway.
Fuck Browning, fuck Carver, fuck Lowell,
fuck Ginsberg, fuck Stafford, fuck Collins.
Fuck David Foster Wallace and Brian Easton Ellis.
Fuck Chuck Palahniuk and John Updike.
Fuck Junot Diaz, Sherman Alexie, Joseph Massey.
Fuck Kenneth Goldsmith and fuck you if you like him.
Fuck William Shakespeare.
Fuck Whitman, Thoreau, and Emerson.
Men are cancelled.
Fuck the Canon. Fuck the Patriarchy.
BURN IT ALL DOWN.

I started writing poems specifically aimed
at pissing these people off.
They demand Trigger Warnings?
I’ll write the most triggering poem I can imagine,
and I’ll mock trigger warnings in the process.
Fuck your trigger warnings.
They say you can’t write about rape?
Challenge accepted.
Fuck your coddled victimhood mentality.
Don’t use racial slurs in poems.
Watch me.
Fuck your book-banning stereotypes.
Don’t mock the Prophet Muhammad.
We’ll see about that.
Fuck your precious religion.
Accuse me of appropriating someone’s abuse?
I’ll put my accusers names as titles
of the most offensive poems of all time.
Fuck you.

And this is how I lost the truth,
by fighting a battle that wasn’t mine,
in which I ended up defending myself
more than I defended the cause,
by becoming the villain
of a story that has too many villains,
attacking my attackers,
becoming a scapegoat
for what’s wrong
with white male writers,
someone no one would defend
for risk of their own credibility,
someone even a good friend
couldn’t or wouldn’t stand beside
any more
without putting their own neck
in the path of the guillotine.

Welcome to the world of internet poetry,
where years of work
building a name
can vanish over the course of three days,
where it has become commonplace
for gangs to demand
publications to remove the poems
that dared to cross imaginary lines,
and then for that poet’s work
to be scrubbed from the archives
as if they never existed
or ever wrote poems at all.

I often wonder how many of these poets
whose books I have purchased over the years,
and who I reached out to in email
or through social media chats
to express what their work meant to me,
ever bothered to buy one of my books,
or to even read the books I mailed to them
just to show my appreciation,
how many of my books
have never even been cracked open,
were just moved from padded envelopes
directly to dusty bookshelves
to begin collecting their own sheens
of shed skin, the sloughed off cells
of the poets coating the covers
of the work of a friend or a peer
they never respected enough to begin with
to give their work even the fleeting chance
of a few precious minutes
of their own attention.

In the end, it doesn’t matter,
everyone thinks they’re burning down the world,
but they’re just dancing
in their own fires,
and once the flames have all burnt out
there’ll be no one left
who cares enough
to sweep up the ashes.

Swan Song

Out now, on Amazon, is the final collection of poetry from Jay Sizemore. This collection I have been working on for most the past two years, with a big chunk of the work written and revised during the month of April. The collection focuses on guns and gun violence, with poems responding directly and indirectly to shootings and their correlating politics. There is also the theme of nature running through the book, as a way of contrasting the violence of the human condition. In total, the book runs 136 pages, and is priced extremely low for a collection of this size, at just 10 dollars. Please consider picking one up.

Primal sonnet

Primal urges sonnet

Rhythm was found in a makeshift drum banging
two sticks against an open rock face
or perhaps the hollow of tree long before
violence was born from necessity,
before stone was sharpened and woven
onto the ends of clubs, there was dancing,
a primal stomp and chant around crackling flame.
Then, came the rival clans and the instinct
to protect the water and the camp,
and war became another kind of music,
banging these crude instruments like breath
out of the skulls and bones of the enemy.
All these centuries learning the best ways to kill,
to dance, to chant mine mine, to make the drum bang.

Right to bear arms: NaPoWriMo #24

A right to bear arms

It’s my right to feel powerful,
to protect what’s mine,
my family, my home,

come into my cave uninvited,
come near my children
and face the consequences,

these claws I’ve sharpened
on the trunks of so many trees,
these teeth that have gnawed

marrow from bones,
I am not hibernating.
When I stand, I’m ten feet tall,

my arms are strong enough
to break bodies like promises
of a peaceful night’s rest

during hunting season
when animals disguise their scents
beneath their bright orange vests

and their hands still stinking
of lavender and axe,
of oil and steel folded and honed

into things alien of the Earth,
but their arms are not my arms,
and their deaths are my self-defense.

Poem for Waffle House : NaPoWriMo #22

Ode to a Waffle House in Nashville, TN

You’ve never been good and truly drunk
until you’ve entered this little haven
of greasy floors and fingerprint-smeared tables
with its soft glowing lights
hung like Chinese lanterns in the windows
and its cheap laminate menus
sticky with syrup or spilled soda,
mists of grill-seared oils wafting
like waterfall-churned moisture
in the lamps and fluorescents
amid the odors of fried egg, sausages,
hot waffle irons overflowing with batter,
all a-sizzle and sweat condensing
on a short-order cook’s brow
at 3:30 in the morning.

You’ve never lived until after ordering
your hash browns scattered, smothered, and covered,
you have to make a dash for the dirty
swinging restroom door
and spill your stomach of beer-and-bile-laced
vomit, wiping the saliva strings
from your lips with cheap harsh toiletries
dispensed from a plastic hood
engraved with racist logos and lighter burns.

You’ve never seen heroism
until you’ve nearly shit your pants
while choking down a mouthful of burnt steak
with its flakes of open-face griddle residue
attached like artisan confections of American spice
like a living document of countless meals
shuffled onto white plates and under warming wicks
before being served to the inebriant starved,

when the shots start pinging through the glass,
and the patrons start screaming
and your friend slaps at his neck
with blood spouting between his fingers
that for just a moment you mistake for ketchup,
before you see the man, just an ordinary man,
probably just as intoxicated as you,
wrestling the rifle from the naked shooter,
scalding the skin from his ordinary hands,
and the silence settles in like slow-motion
as the murderer runs away
and the freeze-frame glitter of shattered bulbs
cascading into the night
sparkle like displaced galaxies
waiting for the sirens
and the shuttering strobes
and your heart to return to its normal beat.

After all that, you’ll want to shake his hand,
but there won’t be time, and it would hurt
beneath his bandages, and maybe your friend
is dying in the ambulance, and maybe
you’ll ask for a coffee to go
because the adrenaline withdrawal
has left you more drunk than exhausted,
and maybe they’ll say, sure,
it’s on the house
just like your life
and maybe this is your church now,
say Hallelujah for America, amen.

Poem for Ammosexuals : NaPoWriMo #21

Ammosexual

There’s just something about a man
with a big package
concealed and carried or swinging free.
Is that a 9mm in your pants,
or are you just happy to see me?

Bullets and barrels are cylindrical
and the way they fit inside my mouth
can’t just be coincidental,
I’d suck fire from his machine gun
know what I’m sayin’?

I don’t mind unsolicited glock pics,
they get me hard like a carbine,
make me want to fuck in gun oil,
to taste metal in sweat and saliva,
to feel the sensation of steel

as it slides and glides
inside my locked and lubed ass,
a cold but pleasant penetration,
then maybe we 69,
his hands around my pistol-grip stock

and my lips and tongue stroking
the long rigid shaft,
fingers probing inside dark empty holes,
a night echoed with our gunshot moans
until we’re both spent, filled with hot lead.

Poem for the Second Amendment : NaPoWriMo #16

Needs of a gun enthusiast

I don’t need a gun
to tell you I love you,
to know the anxiety of your absence
like a tiny corset pulled taut
around my still fluttering heart.

I don’t need a gun
to watch the moon appear like a dime
in the blue haze
of a wishing well sky,
and to wonder what it reveals
about a person, which face they see
in the Rorschach canyons
and deep crater shadows.

I don’t need a gun
to stir my mashed potatoes
in with the brown gravy,
to move my food around my plate
like river churned silt
instead of eating
when I’ve lost my appetite.

I don’t need a gun
to protect myself
from the ambient sounds
of an empty-except-me house,
the creeping footsteps
of rain begging for change.

I don’t need a gun
to become a criminal,
to touch that which isn’t mine,
to discern the nuance
of a painting’s pebbly imperfections
stroking my finger through the landscape
centuries old on a museum wall.

I don’t need a gun
to write my poetry,
each line like a gentle suicide
that never takes my life,
just pushes me a little closer
to those crosshairs
where time and chaos collide.

Trump’s Democracy : NaPoWriMo #14

Kakistocracy : The New Constitution part 2

Let he without morality rule them,
let he devoid of decency close his fists
about the throat of the world
and throttle, his spittle-flecked lips
frothing white, his face flushed bright
with the tantrums of every subverted wish.

Let he without conscience be king,
his sagging skin but an ill-fitted coat
cloaking the hideousness of his greed,
the unscrupulous and the craven
leprosy of want, a blood-filled sack
covered in pus and wet dollar bills.

Let he without humanity declare himself
dictator of the masses, the masses clamoring
for a new Jesus to usher their souls
into the fire pits of penance and self-deprecation,
tomahawk missiles sounding like horns
blown from the mouths of archangels.

Let he without intelligence lead them,
bumbling and stumbling, foolhardy and blind
into the next Dark Age, a cavernous catacombs
of blank-screened smart phones
and television monitors caked in dust,
a continent sealed in walls of bones.

Let he without grace state his amoral decree,
The truth is but a noose swinging
and wound from fake-fibered news
in these gallows of country turned cataclysm,
and the people will willingly slide
their heads through the holes!

Let he without gravitas guide them
as he strokes his member for all to see,
ejaculates vile filth onto every belief
while they bathe in it, rub it like salve
over their faces and eyes and gaze upward
awe-struck, slack-jawed, begging for the trickle-down.

Poem for Anthony Borges : NaPoWriMo #12

Between Death and a Door
~for Anthony Borges

Death doesn’t knock upon the door,
it demands to be let through,
but there are those who refuse to listen.

These seconds seem small
waiting to die, nothing between the end
and the now except this barricade
of flesh leaned against hard wood
and heartbeats pushing blood
out of the body and onto the floor.

This act is selfless, to stand
in defense of the helpless,
to feel an entire existence
kept in the balance
while something faceless
sends its bullets ripping
with white noise and white flashes
through muscle, through lung,
through sound shattered bone.

Five strikes of the iron bell
to stave off twenty more,
five ear-splitting bangs
of skeletal fist pounding
against one shaking frame,
five brushes of bony fingers
against tear-streaked cheeks,
a world condensed down
to the scent of cauterized skin,
to the sound of shrieks,
to the sensation of breath
as a dissipating echo
in the mind.

And when you wake up
in the hospital bed,
your body feels less than your own,
a host of surgical scars
and open wounds no suture can close,
you hear them call you hero,
but you know it isn’t so
you just did what had to be done,
and now, just want to be left alone,
to heal, to feel time return itself
back to that steady second hand
where every tick of the clock
isn’t another triggered gunshot.

Death doesn’t knock upon the door,
it demands to be let through,
but you, you refused to listen.

NaPoWriMo Poem #11

On hanging a bird feeder

If I am a stranger to myself
maybe I’ve always been,
wondering at the man I’ve become,
buying a better drill to drive
these screws into the deck post
when twelve volts couldn’t do the job,
securing this wrought iron hook
to hang this lantern-like object
with its windows only reflecting light
I can no longer discover inside.

And then the disappointment begins
when nothing seems to happen,
days of waiting like a child
for a Christmas morning with no snow
and a living room floor absent
of the gift Santa promised to bring,
sitting in a cloth-backed chair
sipping beers at sunset,
the wind gently flapping
the sun-filtered shade of an awning
while blue-gray clouds ease their way
eastward beyond the trees that lean
into a sky past the fence line.

This is pointless, I think, listening
to that ambient susurrus
of neighborhood noise like ocean currents,
what winged thing would ever want
to visit me in my apathy?
And, of course, nothing answers,
as it always does the thoughts
of an aging mind.

But, life still holds an element of surprise,
life still happens without announcement
of itself, when without applause
a red-breasted finch alights
along that lantern’s metal-railed base,
cocks its head to and fro
as if in ambivalent acknowledgment,
picks up a seed in its black and white beak
and flutters out of sight,
back into the canopy of camouflage trees,
and there’s this moment
this inexplicable pause in the minutiae
of heartbeats flooding my veins,
where happiness finds its wings.