JAY SIZEMORE

poet and author

I Never Learn

Against my better judgment, I am releasing two new chapbooks into the wild.

The first is a series of poems I wrote dealing with the loss of my dad. It’s coming up on the one year anniversary of his death. I’m struggling to adjust to how this feels. I decided to honor his memory by releasing those poems in a collection, hoping maybe others might find them beneficial if they are going through similar circumstance.

The second book is one I worked on for quite a while dealing with my experiences in retail security and shoplifting. It contains observations about the motivations behind why people choose to steal, and the ramifications of choosing such a lifestyle. Things are not always as they seem, and sometimes people are victims of circumstance. I tried to not see this world as one of this vs that, but rather though a lens of empathy. The result is a collection of poetry that I feel works on a powerful level.

If you are interested, here are some sample poems from grief.

And here and here are some samples from thieves.

I hope you will give these books a chance. Thanks for your continued support of independent publishing.

It comes in waves

Waves

The morning my dad died
I sobbed in my wife’s arms,
she held me like a child
as I shook and shivered
and left my snot smeared
in her hair, cold and wet,
dripping down my beard.

It was like I awoke
washed in waves of tumult,
all these thoughts rushing me
from all sides, the inverse
of the eye of storms.

He died while we slept,
and he didn’t visit my dreams,
like so many stories I’ve heard,
there was just the room,
the light-filtered drapes,
the furniture, the sounds
of people in other rooms
carrying on with their
ordinary lives.

It’s stupid how guilty I felt
for crying my tears,
wondering why this hurt
so much more
than other deaths,
wondering why I found it
so difficult at times
to just pick up my fucking phone
and listen to his voice
on the other side,

our paths seemed to diverge
like planets and moons
losing their gravity
in ever-widening orbits,
entering each other’s space
less and less over the years,
though born through the same
hot fire of experience,

and now, I’ll carry this moment
until my ribs cease
their own rise and fall,
holding my hand
over your chest
to feel your failing heart
hammering in the heated confines
of your body being outgrown,
and if I decide thoughtlessly
one day to pick up my phone
the only voice I’ll be able to hear
is my own.

For my dad

How you choose to be good

You don’t know this boy
but you love his mother.
The interior of your car
smells like warm leather
and the rolls of Certs
you keep stashed in your pockets.
You picked the boy up from his house
to stay at your place
while you take his mother out of town
to a casino somewhere
just over the state line.
The car is a Grand Marquis,
white, with a supercharged engine
taken from a police cruiser,
its power vibrates through the seats
like a giant cat’s purr
always on the verge of a roar.
You don’t know this boy,
but you know that his mother
will soon be your wife,
and soon you’ll all live
under the same roof.
So when the boy says to you,
he’s never had someone
he’d be proud to call his dad,
and he wonders if you’d mind
if he called you that,
you should simply smile
and slap a hand across his knee,
and say, Sure, son, sure,
that’d be just fine by me.

grieving the loss of a father

GRIEVING

I’ve been wearing your shirt
for six days straight,
trying to meld your memory
to my flesh, a tattoo of plaid,
big knuckles, and Obsession
splashed through a gray beard.

It isn’t working, I feel the room
darkening where I kept your voice
like a phone recording
of a birthday wish
carried further and further away,
until the only sound is shadow,
and scrape of palms against walls,
scouring every shapeless surface
for any familiar frame,
perhaps a locked window clasp
that if loosened, would let some light in.

I can’t rebuild your ephemeral form,
instead I hold it in abandoned objects,
a few clothes, a silver half dollar
melted down and crafted
into a wedding band,
some dusty mandolin strings
strung to a dusty mandolin,
and the black leather jacket
you once let me wear
when I pretended
I was a reservoir dog.

I find myself continually surprised
at how empty I feel,
I’ve become a self-peeling onion
of diminishment,
my mouth a circular inhale
of silent shock
with every layer gone
revealing only more absence
of the space you took up
inside my human shell,
and when all these levels are husked
with only my skinless self
standing in this room
of memories draped in sheets,
I’ll either find myself reborn
or I’ll find myself a bed
among all these blankets
my body once warmed.

Notre Dame is burning

The burning of Notre Dame

today I watched it burn,
though I could not smell the smoke
I still somehow felt the heat
of that fire, engulfing my own
tinderbox notions of longevity,
my heart reduced to kindling
in this caged body
made of stick and straw,

and as that spire crumbled
into a billowy cloud of black,
cancer cells stacking themselves
upward into a heaven
mighty and blue,
red sparks poked

their frayed fingers through
like dying demons begging
for water from behind a curtain,
I wondered if anything
ever stays pure, ever remains untouched
and untwisted by the chomping
teeth of time’s relentless decay,

I remembered myself,
walking amongst the aisles
of so many abandoned artifacts
once held dear and cherished
in the homes of the countless dead,
antiques now piled and priced
according to a rarity
arbitrarily assigned to junk,

I found myself thinking of my own home
and its swelling horde of possessions
seeming to multiply of their own
accord, an inorganic mitosis of greed
or some semblance of anchoring
a foundation, existence too deep-rooted
to ever be undone in the eyes of a fool,
and I am that fool,
waving good-bye now
to Notre Dame, to Paris, to the streets
sinking in Amsterdam,
to the honey bee, to the mosquito,
to America and the American Dream,
to the final frontier
humanity was never meant to see.

On recent poetry plagiarism

Word thief
~after Ailey O’toole

Word thief, spit your teeth,
your bodily topography
is all-too-familiar.
God in your skin?
More akin to demon
than deity,
more likely to take
& take & take
& take
& take & take.

I’ve looked into your mouth,
and I know well
the points of those
hell-spangled fangs,
still wet with blud
of all you’ve consumed,
all you’ve claimed
as a reckoning of your own.

Ramshackle tableau
disowned,
like the borrowed wings
of barking hogs,
and I ask now,
whose wings are you wearing?

My name is Ozymandias, King of Kings,
Look on my works, ye Mighty, and despair!
Nothing beside remains. Round the decay
of that colossal wreck, boundless and bare,
bitch, I DON’T accept it.

It was a mistake,
made again
& again
& again & again
& again
& again & again
for which you
will never be forgiven,
since your fame
has bitten
more than it could ever
chew.

Poem for a facebook friend

Reasons to exist
~for John Duddy

We try to make sense of this life,
we want to understand
how our differences intersect
and make connection possible
among all this random bullshit,
how we can love one another
despite the myriad reasons
to simply close the door and hide
inside our nests of self and same,
our quiet holes of comfort and light
dimly cast from curtained windows
or lamps among stacks of well-worn words,
and yet, there’s no sense to it all,
no reason to be found for why
even the good people die,
suddenly, another novel removed
from the shelves of ourselves
leaving only but a faint outline
from where the dust fell
just as careless as rain
that causes the land to slide
and close the spines
of thousands of stories
never opened to our eyes.
You were here yesterday,
and today you are a glimmer
along the edge of the glass,
a trail of sun waving its last
ghostly filament of shine,
while in this world we move on
in fading remembrance
or without missing a thing,
poised on the ignorance
of our next innocuous mistake,
running stop signs, running red lights,
forgetting to signal a turn
that always leads us here,
looking around and lost
about what exactly happened
and how can we still love
a world such as this,
but it turns out it’s simple,
it’s because
we exist.

Not a racist

When they called the dead poet a racist

I suppose I’m selfish
because my grief makes me so,
turning your death into an excuse
for me to need something more
than even your presence could offer,
I say I’m sad, so comfort me,
make me feel anything
other than this emptiness,
this loose coat of flesh
dropped to the floor
like a fresh gutted fish
because it slipped
from the butcher’s hand
before he reached the brown paper,
and god damn it,
I just want to keep finding myself
reflected in the eyes of your words,
they gave me courage
to emulate your fearlessness,
your playfulness, the way criticism
seemed to bead from your skin
like water on a newly waxed car,
labels sliding off you
as easy as eggs from a pan
onto plates you just kept serving
to hungry customers
who kept standing in line
no matter what the protestors
shouted from outside
on their sidewalks, their lips curled
with rage, their mouths
all flying spittle and clouds
of cold breath, how could you,
how could you continue
without apology, without explanation,
smiling beneath your veil
of hot tar and goose feathers,
your teeth so white,
your skin so pale,
your poems so good
you insisted they do all your talking.

Poem contemplating life and death

Epiphany of the lemming

There’s a lightbulb cooking dust
in my troubled mind,
something so akin to meaning
I can practically taste the alkaline.

It’s worrisome, this notion of age,
that I’ve lived long enough
I’m now imprisoned by breath
that heaves as I’m forced
to watch my idols die.

Maybe it’s imaginary,
this vision of mine,
that everyone I love
suddenly takes on the stilted posture
of a marionette, string-guided
and trance-like in single-file rows
toward the edge of a cliff
that separates the light from the dark.

Daily the news comes,
be it phone call or text,
news headline or tweet,
that another great influence
of my life has taken the dive
into that unquestionable void,
and each disappearance
causes more of a stir in my gut,
more of a dread-set panic
that blooms like an electrical burn,

because I’m here too you see,
I’ve woken up trapped
inside a body of wood
and cheap metal joints,
my eyes fixed forward
as if they’re a painted stare
watching the bobbing rows
of shiny black heads
careening like floating ducks
on a river without rapids,
and only I seem to understand
it’s a trap

there’s a waterfall waiting,
and it’s impossible to hear
the deafening roar of the cascade
until it’s swept you away,
out and into the ether
far from the crowd that remains
and wonders absently where you’ve gone.

I want to scream,
WAKE UP YOU FOOLS!
THERE’S NO SUCH THING AS PEACE!

My heart a piston out of control,
turning my insides red,
but I can’t open my mouth,
my lips now just a pen-drawn line
curved at the corners
into a concrete smile of catatonic glee
watching more members
of this cursed conga line
vanish from my sight,
their scents still left like chalk plumes
in the absence of their bodies,
dissipating seed clouds that glow dim
and swirl like coffee creamer
between the ignorant passers-by.

There’s no way back from here
that doesn’t sever the world from me,
and I’m suddenly haunted
by a repeated phrase, a recurring dream,
ask not for whom the bell tolls,
it tolls for thee,

and every shaking step
carries you closer
to the source of the noise.

But the dead do not remember and nothingness is not a curse.

Cormac mccarthy, suttree